Art forms of Telangana

Art Forms of Telangana:-

There are more than 160 folk Art forms of Telangana or Telugu land. Telangana has larger number of art forms performed by traditional artist communities. Most of them have “Tyaagam” tradition, that is a right to get cash and kind from respective communities. Some classical Art forms of Telangana received the royal patronage and attained finesse. However, the art forms of the innumerable communities spread across the length and breadth of the Telangana its distinct identity. While the Kakatiya rule led to evolution of dance forms such as Perini Sivatandavam, also known as ‘dance of warriors’, the commoners, faced with the challenges of daily life developed traditions of story-telling coupled with solutions to tide over them through Golla Suddulu, Oggu Kathalu and Gotralu etc. Several art forms like above mingled and new forms emerged. The ubiquitous ‘Dhoom Dham’ is one such evolved and composite art form. They generally were about the struggle and exploitation. People adopted the old sensibilities of theatre and art changing the content as per the case and place. A variant of Yakshagana/”>Yakshagana, Chindu Bhagavatham is performed widely across Telangana. It is a theater art form that combines dance, music, dialogue, costume, make-up, and stage techniques with a unique style and form. The word ‘Chindu’ in Telugu means ‘jump’. As their presentation is interspersed with leaps and jumps, it gained the name of Chindu Bhagavatam. Most of the stories narrated are from ‘Bhagavatam’. Qawali, Ghazals and Mushairas evolved under the patronage of Qutub Shahi and the Asafjahi rulers in and around the capital city of Hyderabad.

Until the encroachment of electronic media these narratives and arts were the only source of recreation and Education for the village folks. Each community had its own sub-community to narrate the stories or genealogies of the dominant community or caste. The sub-caste storytellers visit villages and narrate their stories. These storytellers are spread across the Telangana mostly in Nizamabad, Medak, Karimnagar, Warangal, Khammam Nalgonda and Mahabubnagar districts. These stories tellers were dependent on the dominant communities for survival. Some of these important narrative communities are:

Addamsingvallu
Veedhi Bhagavatulu
Budige Jangaalu
Chinduvallu
Dasarivallu
Ganjikootivallu
Gollasuddulavallu
Gondaleelu
Jangaalu
Kakipadigelavallu
Koonapulivallu
Maladasarulu
Mandechulu
Matlevallu
Oggulu
Pichukakuntlu
Pondavulavallu
Sharadagallu

Apart from these, there are also the non-caste specific teams such as batukamma teams, burrakatha teams, kolatam teams, and yakshganam teams. Depending on their traditional training the performance patterns and methods of presentation vary a great deal.

Methods of presentation of Art forms of Telangana:-

Short narratives (meant for a single presentation, e.g. Ellamma katha, Mallanna katha).
Long narratives (presented over a period of 3 to 30 days, e.g. Katamaraju katha).
Narratives presented by means of pictures (e.g. Kakipadigela stories, Pandavulavalla stories).
Narratives presented through clay and wooden figures (e.g. Mandechula stories).
Stories rendered by two lead narrators (e.g. Oggu).
Four or more narrators donning various roles on the spot (e.g. yakshaganam).

7.Single narrator, usually to the accompaniment of one or two Musical instruments (e.g. Budige Jangam)

A group of actors performing at a street corner (e.g. veedhi bhagavatam).
A group of singers making a presentation clapping or striking sticks against each other as they go round and round (e.g. batukamma, kolatam).

Current scenario:-

A quick examination of this oral literature gives an immense pride to the patrons and to the storytellers. But in the modern era, it has been seen as ‘primitive’ traditions. However, these stories emerge as a new area of knowledge in the twentieth century as embodying the entire panorama of traditional cultures, often carried through oral transmission, through performance and through material artifacts by the so-called ‘primitive people.’ But given the situation, due modernisation and globalisation oral literature and oral stories of these communities are disappearing. The oral stories are not alive because the listeners are dead. These storytellers are hardly seen in this modern era. However, Some thinker has a different story to tell. These oral traditions were neglected, side-lined and oppressed for the last six decades till 2000 because the rulers could not identify themselves with these rural art forms and appreciate the culture and sensibility of Telanganites. But during the Telangana movement and after emergence of the state, the greatest revival of these art forms have taken place. There was and is a cultural renaissance. Perini, Oggu Katha, Chindi Yakshagaanam, Hari Katha, Burra Katha, Sharda Kathalu have gained prominence again.

A compendium of tales, legends and stories:-

Some of the tales, legends and stories listed below are derived from the Ramayana, The Mahabharata and other all India Epics and Puranas but they are often characterized by a significant variation on the original stories. Some are pure extensions of the epic and puranic tales. According to an estimate there are also at least thirty caste-specific puranas in Telangana. The origin of these puranas and non-derivative narratives is difficult to trace but it may be conjectured that they originated in the prehistoric past and have been transmitted orally from generation to generation, mainly through the medium of the narrative communities. There are also legends describing the glory and valour of local heroes and village deities as do those of the presiding deities of certain temples where fairs are held annually. Chirutala, yaksha (yakshaganam), oggu, natakam, and Jangam (mentioned in parentheses against some of the following entries) denote the main narrative modes of those particular stories. The entries that have no parenthetical explanation may be understood to yield to a wide variety of presentation styles.

Akkalabhairavi katha
Anumula Brahmareddy katha
Aremarateela charitra (yaksha)
Balaraju
Balasanyasamma
Balavati katha
Batukamma katha
Bayyabai katha
Beerappa katha
Challapuramma katha
Dangneya (natakam)
Desinguraju katha (Jangam)
Dharmangada (yaksha)
Edla Ramadasu charitra
Ektang katha
Ellamma katha
Gavunada Bhallana charitra
Gowramma katha
Guruvunu Minchina Shishyudu
Harabandiraju
Jiyyarani katha
Kalinga Maharaju katha
Kambhojaraju katha (yaksha, Jangam)
Kanakadurgamma
Kanakatara (natakam)
Kanthamati charitra (yaksha)
Katamaraju katha
Kollapuri Lakshmi
Kondala Raya charitra (Jangam)
Lakshmidevamma katha
Madalasa Parinayamu (yaksha)
Madanakamaraju katha
Mallanna katha (yaksha, oggu)
Mandata charitra (yaksha)
Matapuranamu katha
Maya Subhadra (yaksha, natakam)
Mohini Rukmangada (chirutala)
Mugguru Marateelu
Mynavati
Myravana (chirutala, yaksha)
Nagadi Kooturu
Nalla Thangal katha (Jangam)
Nallapochamma katha
Patala Homam
Peddadasu charitra
Poleramma katha
Pundmeeka charitra
Radhabhai Kaloji katha
Raja Hamsa
Raja Nalaneela
Rajakarlu
Rambha Rampala charitra (chirutala)
Renuka Yuddam
Rukmabhai charitra (yaksha)
Sanyasamma katha (Jangam)
Sookshmanarayana (natakam)
Sri Lakshmamma katha (Jangam)
Stree Sahasamu
Tabeluraju
Veera Timmamma katha
Vichitra Maharaju
Virata Jangam katha (Jangam)

Patam katha:-

Patam means paintings. Patam katha are scroll narratives narrating stories of the Ramayana, the Mahabharata and the Puranas. Sometimes contemporary issues are also incorporated with mythological stories. There are around 12 forms of Patam katha.

Hari katha:-

Literally meaning the stories of Lord Vishnu, the art form composed of storytelling and poetry narrates the stories of Narayana and Puranic stories.

Oggu Katha:-

With its roots set way back in history, it is generally performed by the Kuruma and the Yadava communities of Telangana who moved from place to place, narrating the stories of their caste gods. They tell the stories of Renuka Yellamma, Beerappa, Mallana and other rural deities. The tradition is also supported with certain dance moves, patnam (floor paintings) and is culminated with certain fetes or vinyasams.

Burra katha:-

Unlike Harikatha that is a tradition of the elite and educated, Buraktha is common people’s art form. It is known by different name in different regions; in Telangana, it is known as tamboorakatha, tandana katha and saradakatha. Most of the stories are kind of tributary to the freedom fighters. Bura is a musical instrument, a primitive form of mrudangam. The narratives, mostly derived from Ramayan and Mahabharat are told using the instrument.

Gurram Vallu:-

Attached to the Malas and the narratives recite the gotras and genealogy of the Malas.

Chiruthala Ramayanam:-

They recite episodes of the Ramayana while playing Chirutha

Gaurajetty puranam:-

It is a community related oral tradition related to Gaura community

A large majority of these tales and legends are not available in recorded form—written, taped or filmed—and therefore the need to record, compile and preserve them before they are lost forever. Some research has certainly gone into this aspect of the Telangana culture as is evidenced by these scholarly works: Bigicharla Krishna Reddy’s Janapada Nrityakala, Nayani Krishnakumari’s Janapada Geya Gathalu: Nrusastra Vignanamu, G.V.S. Mohan’s Janapada Vignana Vyasavali, Mikkilineni Radhakrishna Murthy’s Teluguvari Janapada Kalaroopalu, Biruduraju Ramaraju’s Janapada Geya Sahityamu, and R.V.S. Sundaram’s Andhrula Janapada Vignanamu. Although these studies are significant as critical analyses of the folk art forms, they cannot be said to have done much by way of recording and rendering in Telugu or English the tales and legends as highly readable texts. Therefore for the purpose of preserving these narrative arts the surviving members of the communities practising them should be located and their cooperation should be enlisted in recording the narratives on audio tapes and VCDs. After recording, these narratives should be transcribed and reduced to readable texts in Telugu and possibly even translated into English so as to give them an all India currency. Finally the materials so obtained should be carefully documented with detailed introduction to each of them and archived.

Architecture of Art forms of Telangana:-

Architecture in Telangana covers the monuments that were built in the later half of 10th Century to 12th Century. In this time, the Chalukyas and Kakatiyas rule the region which is now known as Telangana, the newly formed state in India with Hyderabad as its capital. During the rule of Kakatiya Dynasty and the Chalukyas of Badami, the art and architecture of Telangana reached at its height. In this time, some of the architectural monuments like Thousand Pillar Temple, Alampur Temples, Ramappa Temple and many other temples. The temples of Telangana and the forts like Warangal Fort and Bhongir Fort were built during the time of Nizams and Mughals. During the rule of Golconda Kings, the Golconda fort was made where one can see the excellence of artistic beauty of Mughal times.

Carved Pillar at Thousand Pillar Temple:-

Thousand Pillar Temple is one of the very old temples of South India located in Telangana. This temple was built during the rule of Kakatiya Dynasty of Warangal. It stands out to be a masterpiece and achieved major heights in terms of architectural skills by the ancient Kakathiya Vishwakarma Sthapathis. The carved pillar of Thousand Pillar Temple is the example of Kakatiya Art. It is believed that Thousand Pillar Temple was built by King Rudra Deva in 1163 AD. Thousand Pillar Temple is a specimen of the Kakatiyan style of architecture of the 12th century. It was destroyed by the Tughlaq dynasty during their invasion of South India. It consists of one temple and other building. There are one thousand pillars in the building and the temple, but no pillar obstructs a person in any point of the temple to see the god in the other temple.

Architecture in Telangana Temples of Alampur:-

There are a total of nine temples in Alampur. These temples are the example of rich architecture of Chalukya times. All of them are dedicated to Lord Shiva. These temples date back to the 7th century A.D. These temples were built by the Badami Chalukya rulers who were great patrons of art and architecture. Even after a time span of several hundred years, these grand temples still stand firm reflecting the rich architectural heritage of the country. The temples are symbolic features of the Northern and Western Indian styles of architecture. They do not reflect the Dravidian style of architecture as is generally common with the temples in this region. The shikharas of all these temples have a curvilinear form and are adorned with the miniature architectural devices. The plans and decoration similar to that of the rock cut temples. Alampur Navabhrama Temples are historically important and reflect remarkable architectural skills.

Warangal Fort:-

Warangal Fort appears to have existed since at least 13th century CE. This fort was built during the time of later half of Kakatiya rule. Warangal Fort was build during the time of Rudramadevi and Prataparudra. Warangal Fort had the gateways, square bastions and additional circular earthen walls prior to the death of Prataprudra n 1323.

Salar Jung Museum:-

Salar Jung Museum is the carrier of Indian art of Nizam rule. Salar Jung Museum is an art museum located at Darushifa, on the southern bank of the Musi River in the city of Hyderabad. The collection of the museum was sourced from the property of Salar Jung family. Salarjung Museum is the third largest museum in India housing the biggest one-man collections of antiques in the world.

Sculpture:-

Ramappa Temple:

It lies in a valley at Palampet village of Venkatapur Mandal, in erstwhile Mulug Taluq of Warangal district, a tiny village long past its days of glory in the 13th and 14th centuries. An inscription in the temple dates it to the year 1213 and said to have been built by a General Recherla Rudra, during the period of the Kakatiya ruler Ganapati Deva. This medieval temple is a Shivalaya (where Shiva is worshipped) and named after the sculptor Ramappa. It is the only temple in the world named after its sculptor/architect. Its presiding deity, Ramalingeswara, is the form of Shiva and a personal god of the Avatar of Vishnu, Rama. The history says that it took 40 years to build this temple. Planned and sculpted by Ramappa, the temple was built on the classical pattern of being lifted above the world on a high star-shaped platform. Intricate carvings line the walls and cover the pillars and ceilings. Starting at its base to its wall panels, pillars and ceiling are sculpted figures drawn from Hindu mythology.The roof (garbhalayam) of the temple is built with bricks, which are so Light that they are able to float on water.

Telangana Talli:-

Telangana Talli is a symbolic mother goddess for the people of Telangana. It was adopted by the people of the regions in Telangana as a representation of the Goddess similar to Telugu Talli. The statue is distinct, with a Bathukamma in one hand and corn in the other. Byroju Venkataramana Chary designed Telangana Talli statue. He was awarded by Chief Minister K Chandra Shekhar Rao on the eve of independence day in year 2015 for his dedication. He hails from Nirmal city of Adilabad district.

Telangana Martyrs Memorial:-

Telangana Martyrs Memorial also called as Gun Park is a monument built for 369 students who died during 1969 agitation for a separate Telangana state. Telangana Martyrs Memorial day would be observed on 2 June every year in all the districts of Telangana State.It is situated near the Public Gardens, Hyderabad. The monument, also called ‘Gun Park’ because of government use of guns against demonstrators, is symbolic for Telangana agitation, and a focus for political activity highlighting issues relating to the Telangana region. The monument was designed and built by Aekka Yadagiri Rao, a “nationally acclaimed sculptor,” and former JNTU Professor of Sculpture.,

The art forms of Telangana are a diverse and vibrant collection of traditional and contemporary expressions. Some of the most well-known art forms from Telangana include:

Puppetry: Telangana is home to a unique style of puppetry that is known for its intricate puppets and elaborate stories. The puppets are often made from wood or cloth and are decorated with colorful costumes and masks. The stories that are told through puppetry often reflect the history and culture of Telangana.
Music: Telangana is home to a rich tradition of music, which includes both classical and folk genres. Classical music from Telangana is known for its complex melodies and rhythms, while Folk Music is often more lively and upbeat. Some of the most popular musical instruments from Telangana include the veena, the mridangam, and the flute.
Dance: Telangana is also home to a number of traditional dance forms, including the bhangra, the Bharatanatyam, and the Kuchipudi. These dances are often performed at weddings and other special occasions. They are characterized by their intricate footwork, graceful movements, and colorful costumes.
Art: Telangana is also home to a thriving tradition of visual art, which includes both painting and sculpture. The paintings from Telangana are often characterized by their use of bright colors and bold patterns. The sculptures from Telangana are often made from stone or wood and depict religious or mythological figures.
Literature: Telangana is also home to a rich tradition of literature, which includes both poetry and prose. The poetry from Telangana is often characterized by its use of metaphors and similes. The prose from Telangana is often characterized by its use of humor and wit.

These are just a few of the many art forms that are found in Telangana. The state’s rich cultural heritage is reflected in its diverse range of art forms, which continue to be practiced and enjoyed by people of all ages.

Puppetry is a traditional form of entertainment that has been practiced in Telangana for centuries. The puppets are often made from wood or cloth and are decorated with colorful costumes and masks. The stories that are told through puppetry often reflect the history and culture of Telangana.

Music is another important art form in Telangana. The state is home to a rich tradition of classical music, which is known for its complex melodies and rhythms. Folk music is also popular in Telangana, and it is often more lively and upbeat than classical music. Some of the most popular musical instruments from Telangana include the veena, the mridangam, and the flute.

Dance is another important art form in Telangana. The state is home to a number of traditional dance forms, including the bhangra, the bharatanatyam, and the kuchipudi. These dances are often performed at weddings and other special occasions. They are characterized by their intricate footwork, graceful movements, and colorful costumes.

Art is also an important part of Telangana’s culture. The state is home to a thriving tradition of visual art, which includes both painting and sculpture. The paintings from Telangana are often characterized by their use of bright colors and bold patterns. The sculptures from Telangana are often made from stone or wood and depict religious or mythological figures.

Literature is another important art form in Telangana. The state is home to a rich tradition of literature, which includes both poetry and prose. The poetry from Telangana is often characterized by its use of metaphors and similes. The prose from Telangana is often characterized by its use of humor and wit.

What is art?

Art is a broad term that encompasses a wide range of human activities and creations. It can be defined as the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.

What are the different types of art?

There are many different types of art, including visual arts, Performing Arts, literary arts, and culinary arts. Visual arts include painting, sculpture, photography, and printmaking. Performing arts include theater, dance, and music. Literary arts include poetry, fiction, and non-fiction. Culinary arts include cooking, baking, and pastry making.

What are the different styles of art?

There are many different styles of art, including realism, impressionism, expressionism, and cubism. Realism is a style of art that aims to depict the world as it is seen by the naked eye. Impressionism is a style of art that focuses on capturing the fleeting effects of light and Atmosphere. Expressionism is a style of art that uses exaggerated forms and colors to express the artist’s emotions. Cubism is a style of art that breaks down objects into geometric shapes.

What are the different mediums of art?

There are many different mediums of art, including paint, canvas, clay, wood, Metal, and stone. Paint is a liquid or paste that is used to create images on a surface. Canvas is a strong, tightly woven fabric that is used as a surface for painting. Clay is a soft, malleable material that is used to create sculptures. Wood is a hard, durable material that is used to create furniture, sculptures, and other objects. Metal is a strong, versatile material that is used to create jewelry, sculptures, and other objects. Stone is a hard, dense material that is used to create sculptures, buildings, and other objects.

What are the different techniques of art?

There are many different techniques of art, including drawing, painting, sculpting, and printmaking. Drawing is the process of creating an image by making marks on a surface with a tool such as a pencil, pen, or charcoal. Painting is the process of applying paint to a surface to create an image. Sculpting is the process of creating a three-dimensional image from a material such as clay, wood, or metal. Printmaking is the process of creating multiple copies of an image from a single plate or block.

What are the different purposes of art?

Art can be used for many different purposes, including to express emotions, to tell stories, to document history, to decorate spaces, and to make people think. Art can also be used to make Money, to gain fame, and to influence people.

What are the different benefits of art?

Art can have many benefits for individuals and Society as a whole. Art can help people to express their emotions, to connect with others, to learn about different cultures, and to develop their creativity. Art can also help to reduce Stress, to improve mental Health, and to promote social cohesion.

What are the different challenges of art?

Art can be challenging to create, to appreciate, and to understand. Art can also be controversial, and it can be difficult to determine what constitutes “good” art. Additionally, art can be expensive to produce and to exhibit.

What is the future of art?

The future of art is uncertain. Art is constantly evolving, and it is difficult to predict what the future holds. However, it is likely that art will continue to play an important role in human culture.

Here are some MCQs about art forms from around the world:

Which of the following is not a traditional art form of Japan?
(A) Origami
(B) Calligraphy
(C) Sumo wrestling
(D) Tea ceremony
Which of the following is not a traditional art form of China?
(A) Peking Opera
(B) Calligraphy
(C) Kung fu
(D) Tai chi
Which of the following is not a traditional art form of India?
(A) Bollywood dance
(B) Yoga/”>Yoga
(C) Cricket
(D) Carnatic Music
Which of the following is not a traditional art form of Africa?
(A) Woodcarving
(B) Mask making
(C) Capoeira
(D) Football
Which of the following is not a traditional art form of the Americas?
(A) Salsa dancing
(B) Pottery
(C) Baseball
(D) Basketball
Which of the following is not a traditional art form of Europe?
(A) Flamenco dancing
(B) Opera
(C) Soccer
(D) Rugby
Which of the following is not a traditional art form of Australia?
(A) Aboriginal art
(B) Cricket
(C) Surfing
(D) Rugby
Which of the following is not a traditional art form of the Middle East?
(A) Arabic calligraphy
(B) Belly dancing
(C) Chess
(D) Soccer
Which of the following is not a traditional art form of the Arctic?
(A) Inuit carving
(B) Sled dog racing
(C) Hockey
(D) Basketball
Which of the following is not a traditional art form of Antarctica?
(A) Ice sculpture
(B) Skiing
(C) Snowboarding
(D) Surfing