Kathak: Dance of Story

  • Kumudini Lakhia’s Passing: Renowned Kathak dancer Kumudini Lakhia passed away at 94, leaving a legacy that reshaped the dance form.

  • Lakhia’s Kathak Innovation:

    • Challenged the traditional storytelling focus of Kathak (Krishna-Radha, Shiva-Parvati).
    • Emphasized “art for art’s sake,” focusing on movement, rhythm, and form.
    • Transformed Kathak from solo to group ensemble performances.
    • Incorporated contemporary themes and abstract concepts.
  • Pioneer and Influencer: She encouraged questioning tradition and expressing the “unsaid” in Kathak.

    • She charted her course in Kathak — in form, presentation, costumes and influencing several young dancers of succeeding generations
  • Notable Works: Duvidha (1971), which delved into internal conflict of a woman yearning for a life beyond domestic confines & Dhabkar (Pulse), Lakhia removed the dupatta from the torso and let the girls dance comfortably.

  • Awards and Recognition: Padma Shri (1987), Padma Bhushan (2010), Padma Vibhushan (2024).

  • Early Training: Trained under Pt Sundar Prasad (Jaipur gharana) and Pt Shambhu Maharaj (Lucknow gharana)

  • PM Modi’s Condolences: Called her an “outstanding cultural icon” and a “true pioneer.”

  • Kathak Basics:

    • Classical Indian dance from North India, blending Hindu and Mughal traditions.
    • Key elements: Tatkar (footwork), Chakkar (spins), Abhinaya (expression).
    • Major gharanas: Jaipur, Lucknow, and Banaras.
    • Linked to Hindustani (North Indian) music.